![]() So, when we first started writing I’m Your Woman, I wasn’t a director, but after directing several of the other scripts we wrote, I knew I was going to direct this. I felt a responsibility to take these stories I write across the finish line. I didn’t direct the first screenplay I wrote but was on the set and that’s when I realized I wanted to direct my work. ![]() This is a script we’ve been working on for a long while, and when we first started it, I wasn’t a director. After Cal mysteriously disappears, Jean befriends Teri (Marsha Stephanie Blake), and the two women set out on a perilous journey into the heart of Eddies criminal underworld. Were you always planning on directing the movie? I’m Your Woman owes much to Brosnahan’s evolving performance as she goes from terrified housewife to trenchant survivalist over the course movie, and the movie consolidates the strengths of. It’s actually great, because in some ways moviemaking can be infinite and overwhelming, so there’s something wonderful about rules and acknowledging what you’re playing with. The reason those genres work so well is because there are rules, and you have to stick to them even if you’re subverting them. I’ve played with genre in a few of my films, and I’ve learned that you have to love a genre to do that, you have to know it intimately and you can’t break it too much. ![]() Wilson Webb How committed do you have to be to the rules and tropes of those kinds of movies when you’re looking to upend them? I’m Your Woman explores themes of identity, race, and motherhood, all while delivering a dreamy visual experience thanks to some gorgeous production and costume design and Bryce Fortner’s. Marsha Stephanie Blake and Rachel Brosnahan in Julia Hart’s I’m Your Woman. 0:00 / 5:21 Karyn White - Im Your Woman dveway 291 subscribers 116K views 10 years ago Sorry, no time to make a multi-image video.
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